PRINTMAKING
The intaglio technique of etching on metal, usually copper, was developed in the 15th century. Many painters, particularly Rembrandt, and later Goya,and Turner, employed the technique, not only as a method of reproducing their paintings but to find expression in the printing process as an exciting art form. Rembrandt explored the effects of aquatint as a means of achieving tonality in his prints, and the technique used today is the same as in the 17th century.
Aquatint is applied as a dusting of resin which is then heated. It etches into the plate, giving a dark velvety effect when printed. When the plate is ready, it is placed on the press, the dampened paper is placed over it and it is hand wound through the press.That is the moment that is anticipated throughout the lengthy process and it never fails to be an exciting one.
Spit biting is another way of producing tone where the acid is applied to the plate with a brush, like watercolour
This gallery shows examples of Etchings, Aquatints and Monotypes created in Graphic Studio Dublin and Cló Cill Rialaig in Kerry.
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